(slow, melancholyrock intro plays)
♪ Start spreading the news ♪
♪ I'm leaving today ♪
♪ I want to be a part of it ♪
♪ New York, New York ♪
♪ These vagabond shoesare longing to stray ♪
♪ right to thevery heart of it ♪
♪ New York, New York ♪
♪ I want to wake upin a city that doesn't sleep ♪
♪ And find I'm king of the hill,top of the heap ♪
(sultry laughter,passionate moaning)
(giggling)
♪ If I can make it there ♪
♪ I'll make it anywhere ♪
♪ It's up to youNew York, New York. ♪
Your, uh,best single malt.
Neat, please.
BARTENDER:Thank you.
Hi.
Buy you a drink?
Sure.
MAN (chuckles):You're beautiful.
(camera shutter clicking)
(indistinct policeradio communication)
FLACK:Hiker found her.
No witnesses,no calls to 911,
no missing personsmatching her description.
HAWKES:Marbling and the levelof decomp tells me
she's been deadat least 36 hours.
We had one like thison the other side
of the parkeight months ago.
That's right, we did.
Macy Martinez.
She was stabbed,strangled and dumped.
It's still unsolved.
F.I.T.
Class of 2011.
She was carried tothis spot, not dragged.
That path right there
leads to a road that cutsthrough the park.
Easy access.
So what wrong turndid she take to wind up here?
Sometimes evil finds you...
on the road you taketo avoid it.
♪ Out here in the fields ♪
♪ I fight for my meals ♪
♪ I get my back into my living ♪
♪ Yeah, yeah, yeah, yeah. ♪
♪ ♪
(camera shutter clicking)
TAYLOR:is consistent and wilting
with your time of deathat 24:36 hours.
Mac...
Two deep puncture woundsjust above the heart.
TAYLOR: Sid found thesame distinct hilt marks
in Autopsy on theMacy Martinez case.
Manual strangulationwith the left hand.
He's the same guy.No doubt about it.
(sighs heavily)
What do you got?
I know what you'regoing to say.
It's not theway it looks.
I'm fine.
It's exactly the wayit looks.
That's the same suityou had on yesterday,
if not the day before.
You haven't even been homein two days.
This isn't the firsttime one case has
rolled over into another.I'll be fine.
When's the last timeyou had something to eat?
I don't want to hearabout that trail mix
from the vending machinelast night.
It was a granola bar.
You promised me you were goingto go home and get some sleep.
I was working on some cases.
I dozed offon the couch.
Then this came in.
Boss of the crime labor not, you're no good
to anyone if you'rerunning on fumes.
Look, I am not walking outof a homicide investigation.
No, Don iFLACK:Yo.you out.
It's allbeen arranged.
You're going to go homeand get a couple hours' sleep.
And if you're lucky,a toothbrush and a shower
might make it feellike eight.
DFLACK: Sure I can.e.
I'm on my way backto the precinct, anyway.
Your place is on the way.
Sid will be expecting mein Autopsy.
It's covered. Your workis done here, Mac Taylor.
Don's gonna take you to thatdiner you love for breakfas,
and then take you homeand tuck you in.
Will he be giving me milk andcookies and singing a lullab?
The lullaby thing'sa little weird.
But milk and cookiescould happen.
Let's go.
One sec, guys.
That's pretty impressiveyou got Mac to go home.
He's not used tobeing told what to do.
No, he's not.
Expensive lingerie.
Manicure... pedicurerecently done,
very meticulous.
Dressed to impress.
Probably a night outon the town, huh?
In the Martinez case,
the victim left the clubwith an older guy
the night before she was found.
Huh.
HAWKES: That stamp is fromthe Countess Club.
TAYLOR: You know,this diner is one of
the last places in the city
you can stillget an egg cream.
FLACK:and cookies?ilk
Coach Ryan.
Hey, Mac Taylor.
How the hell are you?
Good, good.
Can I still count on you
for the Widows and Orphansevent this year?
Already in my calendar.
Hey, you fellas knowJets GM Mike Tannenbaum?
HowHey, Mike.ing?
Look, I gotta tell you,
Great job pickin' up Cromartieand getting Revis into camp,
but if you ask me, I think youblew it on the Woodhead thin.
You(Taylor chuckles)e?
That's a good point.
But three wordson the draft:
Baylor, pass rusher.
Everybody's an expert.
All right, Coach.ouch.
Good to see you.
Okay goodto see you.
Take care.
What's the matterwith you?
Let's go get a snack.
Nothing.
I was just thinking.
Whoever came upwith the formula
that every dog yearis seven human years?
I don't know.
Where the hell did thatquestion come from?
What, do I look that tired?
Yeah... kinda do.
But think about it.
All the stuffwe deal with,
the murder andthe mayhem,
staying up for two orthree nights at a time
trying to sort it all out.
How many years do these casestake off our expiration dates?
Our expiration dates?
Large coffeeto go.
And a map that actuallymakes sense.
Where you headed?
It's, uh, first time backin the city in a while.
Thought I might go downand check out Lady Liberty,
if I can just figure outwhere the hell I'm going.
Come here.I'll show you.
Hey, no worries.
All right, here'swhere we are.
What you want to do is youwant to walk over to Broadway,
grab the 1 or the 9 train,take it all the way downtown
to South Ferry--it's the last stop.
You can hop on theStaten Island Ferry down there.
Get a great viewof the statue,
WAITRESS:Here's your coffee, boat,ansir.'s free.
Here you go.Keep it.
Thanks.Appreciate it, man.
You guys havea good day.
Two years.
Every year as a copis two human years.
WAITRESS:Have a good one.
No,Get out of here.ng.
No, it's mine. I got it.
You're a good man,Mac Taylor.
I had my walletwhen we walked in.
Yeah, yeah.I checked
when we got out of the car.It was in my jacket pocket.
Well, you're tired,maybe you left it--
No, I definitelyhad my wallet.
♪ ♪
♪ You live like you're leadinga procession ♪
♪ Run... Run ♪
♪ You talk like you're boredof making decisions ♪
♪ Run... Run ♪
♪ You walk like you madea fast impression ♪
♪ Run, run ♪
♪ And you take like I soldyour every possession ♪
♪ Run... Run ♪
♪ Ooh, ooh ♪
♪ Run, I'll alwayscome back ♪
♪ Run, I'll always come back ♪
♪ Run, I'll alwayscome back... ♪
(trilling)
(beeping)
(with Irish accent):Ooh, nice work, Miss Messer.
Yes.
The training videos,the lectures.
It's all finallystarting to sink in.
The student hasbecome the teacher.
What are you doing?
(laughs)
It's called improvisation.
Yeah, I-I startedtaking a theatre class.
I could use a little improv
on these.
See that weird circularpattern on the sole of the shoe?
Nothing in our databaseresembles it.
Well, I could enhance thetread marks in the photos.
Maybe that will help fill insome of the voids in the mold.
(in English accent):That would be smashing.
(computer trilling)
(beeping)
(trilling)
(blipping)
(rapid typing)
FLACK:Okay.
All right, thanks. Bye.
I knew it wouldn't be here.
It was worth a shot.
I got uniforms searchingstorm drains and trash cans
for a five-block radiusin every direction.
My police I.D.'sdeactivated,
my credit cardshave been flagged.
Precinct's putting togetherphotos of picks
who match the description.
I should have seen it coming.
He must have reachedinto your jacket pocket
when he was leaning over,showing me the map.
This brazen son of a bitch.
He looked right at my shield.
He knew we were cops.
Yeah.Jo?
So, our vic's nameis Patricia Kelly.
She was asenior at F.I.T.
She texted her roommatefrom the Countess Club
around 11:00, nightbefore last, and said
that she met a great guy,
and that she wouldn'tbe coming home.
Yeah, and the roommatestarted to get worried
when she couldn't get aholdof Patricia all day yesterday.
In fact, she wentto the precinct this morning
to file a missingpersons report.
What about the purple trace
underneathPatricia's fingernails?
It's a very rareand expensive paint
made from dyeextracted from sea snails.
Tyrian Purple.
I worked my shareof art heist
cases at the Bureau.
Do you knowan ounce of that dye
is worth morethan a pound of gold?
Well, it's not usedin any contemporary artwork,
so we're talking museum pieces
DANVILLE:No wayllections.
Patricia's getting near apainting like that in a museum.
Yeah, that's why I'm thinking,
however she picked it up,she must have had access
to someone'sprivate art collection.
Right, which would definitelynarrow it down a bit.
So I compiled a list
of prominent art collectorsin Manhattan.
Now, it's not perfect,
but it's a start.
Y'all are so good.
YouMm-hmm.t.
Larry "The Jammer" Burns?
ROSS:He was arrestedon a DUI charge
in Manhattan last year.
Oh, please tell mehe doesn't have anything
to do with these two murders.
He doesn't, but hislimited edition sneakers do.
Those odd circleson the bottom
of the killer's shoes--they were actually fingerprints.
ROSS:Yup.r's?
But they're emblazonedinto the sole
of every pairof his Elite edition sneakers.
There were only 500 pair made,
and they coast abouta thousand bucks apiece.
So, how long do you thinkit'll take
to compile a listof these 500 proud owners?
Come on. Who do you thinkyou're dealing with here?
(high-pitched):What up?
It's already done.
Okay. Let's cross referenceyour list
with this listHawkes made
of prominent art collectors.
All right.
Here we go.
Bingo.
Charles Martin. NYPD.
OFFICER:It's clear.
We're all clear over here.
Print powder.
That's very strange.
It looks like...
...someone sprayedLeuco Crystal Violet in here,
looking for evidenceof blood.
What the hell's going on?
Thinking that Patricia Kellywas murdered in this apartment,
and the crime scene'salready been processed.
Doorman saysMartin left sometime
early yesterday morningand drove upstate
to a business conference.
DANNY:Well, whoever broke in
and processed this placeused yellow print powder,
VMEX swabs
and Leuco Crystal Violet.
Definitely not NYPD Crime Scene.
DANVILLE:Well, whoever it was had
a basic knowledgeof crime scene investigation.
Basic knowledge.Kind of like the Feds.
DANVILLE:Uh.
Heard that, Messer.
No, no, no.I did some checking.
It's not the Feds,and it's not our guys.
No one's taking responsibility.
Well, then who was it,and what were they looking for?
I got tool marks.
This lockwas definitely compromised
with a pick set,so whoever it was
didn't have a key.
Found the sourceof Tyrian Purple.
LINDSAY:What, do you havea portable GCMS
No, you don't need one.
Poor man's process.
Tyrian Purple turns bluewhen it's exposed to water.
So the paint underPatricia's fingernails
came from her touchinghis piece of art.
So, basically, Martin killsPatricia Kelly, then cleans up,
then dumps her body in the park on his way upstate.
And while he's gone,
somebody breaks inand processes the place?
FLACK: Albany PD saidthat Martin spent the night,
but checked out of hishotel room early this morning
before they could getover there and grab him.
Let's hopehe comes right back here.
There's an alarm out for him.
I'll have a couple teams
watching this placearound the clock.
Charlie boy shows his face,he's ours.
(elevator bell dings,indistinct chatter)
TAYLOR:What the hell areyou doing here?
How'd yI brought him up.floor?
He found your walleton the sidewalk near the diner.
I thought you mightwant to thank him.
It's all there.Even the money.
Can't say I didn't thinkabout taking it.
Things are pretty tight.
Who the hell are you,and what do you want?
Where I come from,somebody returns
a wallet you lost,you say thank you.
I didn't lose it.
You lifted it out of my jacket,you son of a bitch.
Is that right, Detective?
You saw me take it?
I need two uniform officers,Mac Taylor's office, ASAP.
Who are you?
I don't much carefor the way you're asking.
There's onlya couple bucks
in there, but you're welcometo it if you like.
Raymond Harris.
Released from prison a week ago.
Get this trashout of my building.
My pleasure.
Come on.
It doesn't feel right justletting him walk out of her.
We don't have enoughto arrest him,
but I know hetook my wallet.
Who is Raymond Harris?What does he want?
I'm not sure.
MAN:We gonna do this, man?
I think we're cool.
WOMAN:Canadian bacon,well done.
All right.
We gonna getout of All right.
All right, let's go.
Whoa, whoa.
You guys forgetsomething?
(clears throat)
All right.
So, I guess you never lose thatcop thing after you retire, huh?
It's a curse.
Always lookingfor the bad guys,
and we forgetto see the good ones.
(chuckles)
When was the last...?
St. Paddy's Day parade,
three years ago.
Yeah.
Parades and funerals.
Shouldn't be the only timewe see each other, Mac.
What's on your mind?
You remember this guy?
Raymond Harris?
I locked him up.
We did... in '94.
A warrant on a Lower East Sidestash house.
Drugs, guns, money.
Judge gavehim 17 years.
He was released a week ago.
I've run into hima couple of times.
HeNot exactly,u?
but he picked my pocket
right here inthis diner,
and then he showedup in my office
to return the wallet.
I hopeyou collared his ass.
I didn't actuallysee him take it.
And when he returned it...everything was still insid.
And he didn't saywhat it was about?
(sighs)
Couple of months afterwe locked him up,
I had a prisoner escortto Rikers.
Harris passed by intake,
hooked onto some other prisoners.
Hey!
You know what you did, man!
GUARD: Knockit off, Harris.
You know what you did!
Just keep it moving.
He said it with such conviction.
I believe he thinkshe was wronged somehow.
Was your informant legit?
The warrant was good, Honestly,re was no--
I resent your questioningmy integrity.
And whateverhis beef is,
it Look, I don't knowou.
what this guy's problem is,
but if he came at me,he might come at you.
I have a lot ofrespect for you, Bill.
We just had a different wayof doing things, that's all.
Promise me you'llkeep your eyes open?
32 yearsin the monkey suit--
my eyes are always open.
DANVILLE:How we doing on the evidence?
There's plentyhere to prove
that Patricia Kelly was killedin that apartment.
It had been cleaned up,but I found traces of her blood
in the carpet fibersand also on the ceiling.
DANVILLE:Macy Martinez?
Yeah, she wasone of the last cases
Stella was working on,and there's evidence
that also connects herto Martin's apartment.
This sample is fromgravitational blood drops
that I found on the bed frame.
They looked like they'd been there for a while.
DNA was a matchto Macy Martinez.
She was killed inthat apartment, too.
(screams)
(grunts)
(Macy gasping)
(screaming)
Looks like CharlesMartin is building
quite a violent resumefor himself.
Yeah, and it might beworse than we think.
There's evidencethat there was
another woman thereother than Patricia and Macy.
I found a blonde hair in the sofa.
DNA's not in the system.
Maybe she's still alive.
Or maybe we justhaven't found her body.
Let's hope for the former.
DANNY:So, our mystery
crime scene investigatorprobably wore gloves
while he wasprocessing the inside,
but he forgot somethingon the outside.
He probably rang the bell to see if anyone was home
before he broke in.
Got a print.
Came back to Mark Fields.
LINDSAY:He's a cop?
Used to be-- he was firedin 2007 for perjury.
He's a privateinvestigator now.
So why did heprocess the scene?
What was he looking for?
Maybe it's not a questionof what but of who.
DANVILLE: Mr. Fields,
we have a missing woman
that we're very concernedfor her safety.
And right now, you've gota big fat burglary charge
hanging over your head.
How far we take your casethrough the system
depends on your levelof cooperation.
I found this in your, uh,briefcase inside your car,
along with some maps,
phone, surveillance photos,financial records.
So why don't you tell usabout Christina Marino.
Who is she, huh?Why are you following her?
She walked outon her husband Vinny.
He's a friend of mine.
He asked me to lookinto it, find her,
bring her back.
Vinny said startwith Charles Martin.
They were good friends.
So you think she was havingan affair with Charles Martin?
I don't know.
But Vinny did keep heron a pretty tight leash.
What were you hoping to findin the apartment?
FIELDS: Some sign of Christina.
Her phone was shut off; shestopped using her charge cards.
I went in there lookingfor a suitcase, clothes,
an extra toothbrush--there was nothing.
I smelled a heavy dose of bleachcoming from the bedroom.
Now, I don't have to tellyou guys what that might mean.
So I took a closer look.
All right, well,the blood in the bedroom
and the hinge lift you pulled off the coffee table,
that belonged to a womannamed Patricia Kelly,
and she was murderedin that apartment
just a couple days ago.
I thought for sure that wasChristina's blood in there.
Look, I was gonnatell you Just do me a favor,
save that foryour lawyer.
Right now, what I'm interestedis finding Christina.
DANVILLE: Was thereanything else
in that apartmentthat might help us find her?
No.
That's it.
I swear to God.
FLACK: Mr. Marino, your wife,
did you have any idea
that she was gonna leave you?
No... (scoffs)
It was likea sucker punch to the stomach.
You think she's dead, don't you?
There's no evidence of that.
FLACK: The best we can dois hope that Christina
is somewhere safetrying to sort this all out.
(siren wailing)
(siren stops)
He showed up a little while ago.
He went up the back stairwellfrom the parking garag.
Stakeout team chasedhim up to the roof.
OFFICER:Come on, Mr. Martin,
step back overthe ledge.
No, but I'm hopingthis guy can Any sign help us outa Marino?
with that before he jumps.
He's notgonna jump.
The only reasonhe's up on that ledge
is because he was chased there.
He just has nowhere else to go.
(helicopter hovering)
(siren wailing,indistinct radio communication)
You take one more step,I'm gonna
make a messin the street down there.
Get back.
DANVILLE:I'll be right back.
Whoa, whoa, whoa.Where you going?
Have a little chatwith Mr. Martin.
Get back!I said get back!
Relax, Mr. Martin.
I'm not gonna tryto make you comedown from here.
I figure if you'redetermined to end yourlife, you're gonna do it
no matter whatIhave to say.
I just wanted toknow if you can
tell me whereChristina Marino is.
You think I'm stupid?
You didn't climbout on this ledge
to ask me about Christina.
Oh, I'm here for Macyand Patricia, too,
but we both knowwhere they are.
It's ChristinaI'm worried about now.
I would never do anythingto hurt Christina.
I know you don't wantto jump-- you'remuch too fond
of yourself for that.
Why don't youstep back over
this ledge and we canchat about Christinaon solid ground.
(sighs)
I don't have a lotof options, Detective.
Either I jumpor I spend
the restYou don't have prison.
to decide that now.
Lord, I've gota dozen great ways
you can kill yourself in jailif you change your mind.
(spectators murmuring)
Let's go.
Keep your hands wherewe can see them.
Hey, good work.
You all right?
Yeah, I'm just... it'sa little adrenaline rush.
Maybe too manycups of tea.
I'm not denying she was here.
So then you can understand
why we might be a bitconcerned for her safety.
Look, Christinawas my friend.
Two weeks ago,she called me,
asked me to meet herat the coffee shop.
When I got there,she was sittingin the corner
with this ridiculous...leopard-skin suitcase.
She'd just lefther husband.
She wanted to staywith me for a few days.
How long did she stay?
About a week.
She left a few days ago,said she needed to be alone.
Said she was gonna get a roomin some hotel downtown.
I think she felt likeshe was imposing.
I guess she was.
Because it didn't take long
for you to get Patricia Kellyup here and kill her.
Then why did you offerto buy mea drink?
It's the firstof the hoops
you'll try and forceme to jump through
before we end up goingback to my penthouseand making love.
Well, if it's anyconsolation, Detective,
I can assure you that bothPatricia and Macy's last moments
were filled with pleasure.
You mean up until the moment
that you strangledand stabbed them both?
(gasping, grunting)
That part of it was my pleasure.
It's an impulse.
I don't expect youto understand.
FLACK: No, I get it.It's like the impulseI'm having right now
to smash your face inand throw you out that window.
Why should we believeyou didn't kill Christina?
What you don't understandabout Christina is
she wasn't likethose other women.
She wasn't angling for anything.
Those other women were takers.
Just like me.
And I think that you know enoughabout people like me
to know I didn't kill her.
Any information onChristina Marino's whereabouts?
TAYLOR:Call me as soon
as you're donewith the interrogation.
Mac, hope I'm notinterrupting something.
No, no.
Not at alWell,at's up?
I felt kind of bad-- I thoughtwe left off on a sour note.
Uh, look, I had no rightto accuse you of anything.
I was out of line.
Now, don't start soundinglike a pansy on me, Mac.
I want to putyour mind at ease.
I don't havethe actual
Harris folders, but...
these are someof my personal copies
Bill, this reallyisn't of the necessary.
I'm just as curious
as you aboutAny answers
Well, that's just it.
Everything we did was textbook.
Well, right now, RaymondHarris's perception
is his reality.
He's walking around witha chip on his shoulder,
and only he knowswhat it's about.
Yeah.
That makes him dangerous.
(indistinct chatter)
(brakes squeak)
♪ ♪
(grunting)
(gun cocks)
What's done is done.
Let it go.
(grunting)
(coughing)
Charles Martin proudly admitsto murdering two women,
so he has no reason to denykilling Christina Marino.
I believe him.
I'm not inclinedto give a serial killer
the benefit of the doubt,
but Christina doesn't seemto fit his victim profile.
Well, he had the meansand opportunity but no motive.
Until we have evidencethat she was murdered,
we have to assumeshe's alive.
Hey, Mac,
you might wantto keep that on.
Christina Marino's cell phonebills show one of her last calls
was to a boutiquehotel in SoHo
four days ago.
Danny and Lindsay areon their way there now.
LINDSAY:"Do Not Disturb" sign was onthe door when we got here.
Concierge said Christinachecked in three days ago.
He hasn't seen her since.
Right, she paidfor five nights.
Clerk at the front desk said
that a man called down yesterdayrequesting no maid service.
Probably the sameperson that broke in,
confronted herin the doorway,
and then slashedher throat.
What are you doing?p!
Just get out of here,leave me alone.
(screams)
TAYLOR:Arterial spurts...
from the left sideof the neck.
She was moving.
It looks like she collapsedover here
and was beaten, causingthe medium velocity spatter.
There was something up againstthat wall right there.
It's notin this room anymore.
TAYLOR:It was a suitcase.
These clothes are restingon top of the blood pool.
They were pulled out of thesuitcase after she was kille.
That's how he got herout of here without being seen.
He stuffed her in the suitcase.
CHARLES:When I got there
she was sitting in the cornerwith this ridiculous
leopard skin suitcase.
A leopard skin suitcase.
We're no longer lookingfor a missing woman.
We're looking fora missing body.
DANVILLE:Messy and spontaneous.
That's notCharles Martin's style.
So, then, who killed her?
Who else even knew she was here?
TAYLOR:The husband--
Vincent Marino.
FLACK:Did you have any idea
that she was going to leave you?
It was like a sucker punchto the stomach.
He would know aboutthe call to the hotel
and he had motive.
Yeah, all right,so how do we go
at Vincent Marinowithout a body?
By acting like we have one.
TAYLOR: Let's make this simple.
We know youkilled Christina.
This is outrageous.
I won't sit here and listento you accuse me like this.
We found Christina'sbody, Mr. Marino.
Now we needyou to tell us
why you butchered her like that.
TAYLOR:Only a severed carotid
makes that pattern on a wall.
I wouldn't knowanything about that.
You've gotyour facts wrong.
FLACK:Oh, yeah?
Let me see
if I got this part right, then.
You cut theleft side
of Christina's throatin the doorway.
(screams)
No, no, no.
Look at it, Vincent, lookat what you did. You did this.
Blood was sprayingall over the place.
You chased her across the room.
No, s-stop saying that.
You beat her when shewas lying on the floor
defenseless and dying.
Then you dumped herclothes all over the room
and stuffed herin her own suitcase.
This leopardskin suitcase.
You zippedit up,
rolled it outto your car,
and dumped herlike a bag of trash.
(sobbing)
I gave her everythingshe could ever want.
Everything I did was for her,nothing for me.
All I asked for was, was love,
respect.
She told me she hated me.
I begged herto stay.
I begged herto come home like...
I begged her like some fool.
What's the significanceof where we found her?
Why there?
It's, uh, it's where we met--Prospect Park.
The first time I saw her,
I thought she wasthis perfect thing, you know,
standing thereat the edge of the pond,
pulling her hair backinto a ponytail.
I put her right backwhere I found her.
♪ ♪
FLACK: Mark Fields had no idea
that Marino would usethe information
on that hotel to go thereand kill Christina.
I don't think
Marino would've caved unlesshe believed we have the body.
You owe me $70
for this leopard printsuitcase, by the way.
(laughs)
You know what?
If Mark Fieldsdoesn't break
into Charles Martin'sapartment
looking for Christina,we probably
never solve her murder.
Gas company.
(indistinct conversation)
Who's that?
TAYLOR: They call himWild Bill Hunt.
He was myfirst partner.
Don Flack.
Bill Hunt.
What are youdoing here, Bill?
Seeing you made me thinkabout the guys.
I thought I'd drop byand say hello.
Maybe poke around a littlein the Raymond Harris case file?
I don't think Mr. Harriswill be bothering us anymore.
FLACK:Should I expect a body
to turn up?
No.
I just hada little chat with him.
I know what you meanby a little chat.
You shouldn'thave done that.
Something tells meyou can be very persuasive.
I definitely thinkI got my point across.
Bill...
Harris isn't goingto scare easy.
I could see itin his eyes.
Trust me,
he's scared.
You should haveleft it alone, Bill.
Captioning sponsored by CBS
CSI NY PRODUCTIONS
Captioned by Media Access Group at WGBH access.wgbh.org